How to pronounce “crazy”
Say “crazy” in 2 beats
crazy
/ˈkɹeɪzi/
The voice you hear here is American; the British form is /kɹeɪzi/ (see the table below), and a British voice is available in the app's settings.
- crazkɹeɪstress
- yzi
- IPA (American)
- /ˈkɹeɪzi/
- IPA (British)
- /kɹeɪzi/
- Respelling
- KRAY-zee
- Syllables
- 2 — CRAZ-y
- Stress
- Stress the first syllable: CRAZ-y. “craz” is longer, louder and a step higher; the other syllable falls away from it.
- Part of speech
- noun, adjective
- Difficulty
- Beginner — most learners get this on the first take
American and British are not the same here
/ˈkɹeɪzi/
/kɹeɪzi/
No audio here: sayit’s voice is American, so a British button would play the American word. Read the transcription instead.
What “crazy” means
- noun
someone deranged and possibly dangerous
- adjective
affected with madness or insanity
“a man who had gone mad”
- adjective
foolish; totally unsound
“a crazy scheme”
Say it in a sentence
“It felt a little crazy to leave in the middle of the night.”“crazy”, answered
How do you pronounce “crazy”?
“crazy” is pronounced /ˈkɹeɪzi/ (KRAY-zee) in American English and /kɹeɪzi/ in British English — 2 syllables, stressed on “craz”. Build it as CRAZ-y, then run the first syllable a little longer than the rest and let the others reduce.
How many syllables does “crazy” have?
2: craz · y. The beat lands on the first, “craz”.
Is “crazy” said differently in British English?
Yes. American English says /ˈkɹeɪzi/ (KRAY-zee); British English says /kɹeɪzi/. Both are correct — choose the accent you are learning and stay inside it.
What does “crazy” mean?
As a noun: someone deranged and possibly dangerous For example: “It felt a little crazy to leave in the middle of the night.” It carries 2 other senses as well — all of them said the same way.
Where is the stress in “crazy”?
Stress the first syllable: CRAZ-y. “craz” is longer, louder and a step higher; the other syllable falls away from it.
Now say “crazy” and see every sound
Record it once and sayit lines your audio up against the target sound by sound — what landed, what slipped, and what it sounded like instead.