How to pronounce “confine”
Say “confine” in 2 beats
confine
/kənˈfaɪn/
The voice you hear here is American; the British form is /kənfaɪn/ (see the table below), and a British voice is available in the app's settings.
- kənkən
- faɪnfaɪnstress
- IPA (American)
- /kənˈfaɪn/
- IPA (British)
- /kənfaɪn/
- Respelling
- kuhn-FYN
- Syllables
- 2 — kən-FAꞮN
- Stress
- Stress the second syllable: kən-FAꞮN. “faɪn” is longer, louder and a step higher; the other syllable falls away from it.
- Part of speech
- verb
- Difficulty
- Legend — spelling and sound part company here
American and British are not the same here
/kənˈfaɪn/
/kənfaɪn/
No audio here: sayit’s voice is American, so a British button would play the American word. Read the transcription instead.
What “confine” means
- verb
place limits on (extent or access)
“restrict the use of this parking lot”
- verb
restrict or confine,
“I limit you to two visits to the pub a day”
- verb
prevent from leaving or from being removed
Say it in a sentence
“Please confine your questions to the first half of the report.”“confine”, answered
How do you pronounce “confine”?
“confine” is pronounced /kənˈfaɪn/ (kuhn-FYN) in American English and /kənfaɪn/ in British English — 2 syllables, stressed on “faɪn”. Build it as kən-FAꞮN, then run the second syllable a little longer than the rest and let the others reduce.
How many syllables does “confine” have?
2: kən · faɪn. The beat lands on the second, “faɪn”.
Is “confine” said differently in British English?
Yes. American English says /kənˈfaɪn/ (kuhn-FYN); British English says /kənfaɪn/. Both are correct — choose the accent you are learning and stay inside it.
What does “confine” mean?
As a verb: place limits on (extent or access) For example: “restrict the use of this parking lot” It carries 2 other senses as well — all of them said the same way.
Where is the stress in “confine”?
Stress the second syllable: kən-FAꞮN. “faɪn” is longer, louder and a step higher; the other syllable falls away from it.
Now say “confine” and see every sound
Record it once and sayit lines your audio up against the target sound by sound — what landed, what slipped, and what it sounded like instead.