How to pronounce “incredulous”
Say “incredulous” in 4 beats
incredulous
/ˌɪnˈkɹɛdʒələs/
The voice you hear here is American; the British form is /ɪŋkɹɛdjʊləs/ (see the table below), and a British voice is available in the app's settings.
- incɪn
- redkɹɛstress
- uldʒə
- ousləs
- IPA (American)
- /ˌɪnˈkɹɛdʒələs/
- IPA (British)
- /ɪŋkɹɛdjʊləs/
- Respelling
- in-KRE-juh-luhs
- Syllables
- 4 — inc-RED-ul-ous
- Stress
- Stress the second syllable: inc-RED-ul-ous. “red” is longer, louder and a step higher; the other syllables fall away from it.
- Part of speech
- adjective
- Difficulty
- Legend — spelling and sound part company here
American and British are not the same here
/ˌɪnˈkɹɛdʒələs/
/ɪŋkɹɛdjʊləs/
No audio here: sayit’s voice is American, so a British button would play the American word. Read the transcription instead.
What “incredulous” means
- adjective
not disposed or willing to believe; unbelieving
Say it in a sentence
“She gave me an incredulous look and asked me again.”“incredulous”, answered
How do you pronounce “incredulous”?
“incredulous” is pronounced /ˌɪnˈkɹɛdʒələs/ (in-KRE-juh-luhs) in American English and /ɪŋkɹɛdjʊləs/ in British English — 4 syllables, stressed on “red”. Build it as inc-RED-ul-ous, then run the second syllable a little longer than the rest and let the others reduce.
How many syllables does “incredulous” have?
4: inc · red · ul · ous. The beat lands on the second, “red”.
Is “incredulous” said differently in British English?
Yes. American English says /ˌɪnˈkɹɛdʒələs/ (in-KRE-juh-luhs); British English says /ɪŋkɹɛdjʊləs/. Both are correct — choose the accent you are learning and stay inside it.
What does “incredulous” mean?
As an adjective: not disposed or willing to believe; unbelieving For example: “She gave me an incredulous look and asked me again.”
Where is the stress in “incredulous”?
Stress the second syllable: inc-RED-ul-ous. “red” is longer, louder and a step higher; the other syllables fall away from it.
Now say “incredulous” and see every sound
Record it once and sayit lines your audio up against the target sound by sound — what landed, what slipped, and what it sounded like instead.