How to pronounce “concede”
Say “concede” in 2 beats
concede
/kənˈsid/
The voice you hear here is American; the British form is /kənsiːd/ (see the table below), and a British voice is available in the app's settings.
- kənkən
- sidsidstress
- IPA (American)
- /kənˈsid/
- IPA (British)
- /kənsiːd/
- Respelling
- kuhn-SEED
- Syllables
- 2 — kən-SID
- Stress
- Stress the second syllable: kən-SID. “sid” is longer, louder and a step higher; the other syllable falls away from it.
- Part of speech
- verb
- Difficulty
- Pro — the sounds are ordinary, the rhythm is where it slips
American and British are not the same here
/kənˈsid/
/kənsiːd/
No audio here: sayit’s voice is American, so a British button would play the American word. Read the transcription instead.
What “concede” means
- verb
admit (to a wrongdoing)
“She confessed that she had taken the money”
- verb
be willing to concede
“I grant you this much”
- verb
give over; surrender or relinquish to the physical control of another
Say it in a sentence
“He was slow to concede that the map had been wrong.”“concede”, answered
How do you pronounce “concede”?
“concede” is pronounced /kənˈsid/ (kuhn-SEED) in American English and /kənsiːd/ in British English — 2 syllables, stressed on “sid”. Build it as kən-SID, then run the second syllable a little longer than the rest and let the others reduce.
How many syllables does “concede” have?
2: kən · sid. The beat lands on the second, “sid”.
Is “concede” said differently in British English?
Yes. American English says /kənˈsid/ (kuhn-SEED); British English says /kənsiːd/. Both are correct — choose the accent you are learning and stay inside it.
What does “concede” mean?
As a verb: admit (to a wrongdoing) For example: “She confessed that she had taken the money” It carries 2 other senses as well — all of them said the same way.
Where is the stress in “concede”?
Stress the second syllable: kən-SID. “sid” is longer, louder and a step higher; the other syllable falls away from it.
Now say “concede” and see every sound
Record it once and sayit lines your audio up against the target sound by sound — what landed, what slipped, and what it sounded like instead.